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Marriage Story is Noah Baumbach’s take on a certain strand of arthouse cinema that presents the decline of a New York romance, and the decline of a New York family, as the [...]

Hard Eight was Paul Thomas Anderson’s first film, and it’s a remarkably fully-formed release, both on its own terms and as a forerunner of the themes and approaches that [...]

My Best Friend’s Wedding is the spiritual sequel to Muriel’s Wedding, and one of the slyest and most irreverent of 90s romantic comedies – effectively a deconstructed [...]

Five years in production, and a whole lifetime in the making, The Irishman may be Martin Scorsese’s greatest film – and certainly feels like his most personal film, as [...]

Almost by definition, cannibal films tend to defy any consistent tone. The prospect of eating another human body is so horrific, and yet so ridiculous, that films about [...]

Hustlers is an adaptation of “The Hustlers at Scores,” a 2015 New York magazine article by Jessica Pressler that exposed a scam orchestrated by a group of high-end New [...]

It’s not hard to see why Joker won the Golden Lion, or why it has become such a talking point over the last couple of months, since this is one of the most ingenious [...]

Scary Stories to Tell in the Dark arrives at a moment when the anthology horror film is making a comeback, both on the big and small screens. It’s based on the trio of [...]

James Gray’s latest film is his first foray into science fiction, starring Brad Pitt and Tommy Lee Jones as Roy and Clifford McBride, a father-and-son astronaut duo. We [...]

Towards the end of the 70s, Altman’s classic period to reach the end of its lifespan, and his ensemble vision grew zanier and wackier in response. While things were [...]